"Another rarely staged character, John Fastolf, was given a full arc here: with his cowardice anticipated a couple of times, Abigail Olshin eventually emerged to give the poor soldier embodied presence, and to be shouted down by the united forces of Talbot, Gloucester, and King Henry... Olshin’s playing up of the pathos of Fastolf’s rejection, seeking sympathy from the audience as she skulked off, beautifully pointed up the self-defeating exclusionary rigidity of the English army."

...

"It was left to Olshin’s Lucy to try to appeal to any kind of higher morality in York and Somerset (in a beautifully compressed amalgamation of separate scenes), Olshin’s earnest, imploring performance trying desperately to get these couldn’t-care-less punks to care at all." - Dr. Peter Kirwan, The Bardathon